Albert , Sidney. Bernard Shaw : The Artist as Philosopher The Journal ofAesthetics and Art Criticism , 14 :4 (1956 , 419-438In Bernard Shaw : The Artist as Philosopher Sidney Albert s main point is as follows : that Shaw consciously and proudly donned the mantle of the philosophical poet , singing to philosophers and almost philosophers from his dramatic scores (419 . This is primarily supported through his compendium of the character of Don Juan , who speaks on everything from life and love to , of apparent movement , local politics .
A major part of the stock for Albert involves how much Shaw has to sacrifice some of the philosophy for art - after all , the man is writing a play and not a philosophical screed , so some things must be sacrificed for others to flourishUltimately , Albert concludes that as artist , Shaw set out to illustrate and allude in his dramas both the frailty of men and the failings of society which hitch human development and that he went on to suggest to us that we have great potentialities , and a pressing need , for bread (437 . In this sense , the art versus philosophy debate takes on a meta-textual dimension , as the image of Shaw as flea-bitten philosopher represents the idea that his philosophy needs to be perfected , as does the men for whom the philosophy is intended . In this sense , Albert s stopping point renders the debate mostly moot - it is not a takings of art contending philoso phy , but art parcel as a medium for philos! ophy . It is...If you want to initiate a full essay, order it on our website: BestEssayCheap.com
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